IMPRO MUSIC SESSION
Jamie Weiss (NYC) & Cubop (Berlin). Analogue Electronics.
http://soundcloud.com/veronica-mota-aka-cubop/impro-session-track-01
http://soundcloud.com/veronica-mota-aka-cubop/impro-session-track-01
SPLIT TAPE - INDUSTRIAL NOISE RECORDS - SHIT NOISE TAPES.
"ENTARTETE KUNST":
01. "Blut Germania" - Cubop
02. "Warszawa" - Fascist Razorback
Tape release coming out soon.
http://www.discogs.com/label/Shit+Noise+Records
The tape is out now. Limited edition:
http://www.discogs.com/release/3131444
01. "Blut Germania" - Cubop
02. "Warszawa" - Fascist Razorback
Tape release coming out soon.
http://www.discogs.com/label/Shit+Noise+Records
The tape is out now. Limited edition:
http://www.discogs.com/release/3131444
Radio Interview by Green Tea Berlin at Experimontag in Kreuzberg.
http://soundcloud.com/greentea-berlin/the-sublime-green-tea-berlin
http://the-sublime-berlin.blogspot.com/
http://www.myspace.com/lastdominionlost
Audio/video for live performance
TEARING AT DARK INCEST from Verónica Mota on Vimeo.
"Tearing At Dark Incest" is a live performance which approaches incest
in the drag & sex workers community. The work is based on the
underground Japanese film titled "Funeral Parade of Roses" by Toshio
Matsumoto who portraits the lives & experiences of drag queens and
sex workers in Japan in the late 60ts. This film mixes innocence with a
strong & dark life line of a personal experience, and so does the
sound-work of it which was made to be perform as an audio/video live
performance. Booking: sawade@manosonic.com
9.06.2011 "THE SECOND DEATH OF REASON" Live Audio/Video Installation at Galerie EIGEN+ART, Leipzig.
Extract from Audio/Video Installation:
The second Death of Reason. from Verónica Mota on Vimeo.
Infos about live performance in Leipzig:
http://times.nskstate.com/state-country-landscapes-society/#more-571
Deutsche Presse:
http://www.l-iz.de/Kultur/Ausstellungen/2011/06/Ausstellungseroeffnung-Leipziger-Dependance-NSK.html
Booking: veromota@yahoo.com
Track release April 2011.
01.04 - CHARITY FOR JAPAN @ RUFREAKTOR GALERIE
ParticipantsThomas Zunk – Theremin, handdrums, voice, Conductor, MC and Navigator
Iku Sakan – steelpan, voice
Kostja Usenko – violoncello
Tatsumi Ryusui – e-g
Will Gresson – electro-acoustics
Luke Munn – electro-acoustics
Jon Evans – electro-acoustics
Verónica Mota – electronics
John Murphy – percussion
Günter Schickert – Echo-Guitar, conches
Akira Ando – double bass
Elke Postler – Butoh dance, performance, voice
Sonja Heller – Butoh dance
Tiziana Longo – Butoh dance
Motoya Kondo – Butoh dance
Annalisa Maggiani – Butoh dance
Latest tracks by ThomasZunk-4-1
Music inspired by Dante's Inferno from the "Divine Comedy". Imagery: excerpt from "L'Inferno" by Guiseppe de Liguoro. This film was first screened in Naples in the Teatro Mercan on March 10, 1911, exactly 100 years ago.
The Sublime is a duet comprised of Verónica Mota & Jon Evans (Berlin) utilizing microphony, electronic, synthesised and treated sounds.
http://the-sublime-berlin.blogspot.com/
Sounddesign for Dirty Dozen crossborder Body Lab and Live Happening.
Thirteen bodies will inhabit Schwelle 7 in Berlin for a three-week intervention to explore the simultaneous production and subjugation of bodies and the processes that shape bodies as sites of sociopolitical (dis)identification. More specifically, this intervention will explore how the body is shaped, along the axes of multiple identity categories, as an effect of dynamic power relations that function to produce the question of the body and the body as questionable.
Images evoked by Psycho Mechanic.
I had three distinct, but related images which created a story about the difference between eternity and temporality.
In the first part, I imagined a ball of white light representing the higher frequency in your mix. This light was eternity. This eternal ball of light was soaring through the universe (a universe of space and time and spacelessness and timelessness). The other sounds that you were creating reminded me of things happening in time. The eternity ball flew past them, and though eternity could observe the things in time, the things in time could not perceive eternity or see or hear the ball of light screaming past them all the time.
In the second part, my fantasy was similar, except that the temporal sounds were happier. It is as if the first musical section represented the horrors and sadness of the world, but the second section revealed the happier and more joyful things in time. Eternity in both cases was more or less just there - not making any judgments.
The last daydream you invoked in me involved a very complicated thought process which is hard for me to explain (or even remember) right now. I think it was kind of like a transformation between eternity and the present. Where I was able to see how they are the same.
Anyway, that's the trip you took me on.
David Lee.
David Lee.
Hysteria Dream from Verónica Mota on Vimeo.
Sound Collage by Verónica Mota AKA Cubop visualized by Lyno-leum from Italy. Collaborative Work made for the Idiocracy Project on Tour in 2009.
MIND'S EYE from Verónica Mota on Vimeo.
Collaborative creative work between Steven J. Gelberg from San Francisco and Verónica Mota based in Berlin.
The sound was made as an improvisation session with Synthesizer.
The phrase "mind's eye" refers to the human ability for visualization, i.e., for the experiencing of visual mental imagery; in other words, one's ability to "see" things with the mind.
This is my Skin from Verónica Mota on Vimeo.
This is my Skin is an experimental portrait of a schizophrenic young woman. This short was produced in Slovenia supported by Luksuz Produkcija.
Sur Le Feu from Verónica Mota on Vimeo.
Cross-border Collaborative Work between Stéphane Elmadjian (Paris), Steven J. Gelberg (San Francisco) and Verónica Mota (Berlin). Sur Le Feu is kind of a love letter that express the need of de-construction, transformation and freedom as independent subject.
Cross-border Collaborative Work between Stéphane Elmadjian (Paris), Steven J. Gelberg (San Francisco) and Verónica Mota (Berlin). Sur Le Feu is kind of a love letter that express the need of de-construction, transformation and freedom as independent subject.
⠸⠸ POEM as lyrics for Duo Music Project ⠸⠸
Once upon a time
there was an innocent Child.
There was no difference between God & Evil.
There was not Sex,
but Toys and Dolls to play.
A time to say YES.
A time not to be scared.
No Trauma.
No Neurosis.
No Pain.
Just a Child learning how to play.
After Life went on ...
Evil and God came.
It was god to sit proper.
It was bad to say yes.
The innocence was corrupted;
and so came the Pain.
The Child learnt how to hate.
The Child wanted to scape.
There were no doors until the Child grew up.
Solitude was always there.
Freedom came afterwords.
The Pain didn´t go away,
but the Threes were still there:
waiting for a Human Being
who is able to say YES and No
to this dark Human World.
.............................
Berlin, 2008.
Once upon a time
there was an innocent Child.
There was no difference between God & Evil.
There was not Sex,
but Toys and Dolls to play.
A time to say YES.
A time not to be scared.
No Trauma.
No Neurosis.
No Pain.
Just a Child learning how to play.
After Life went on ...
Evil and God came.
It was god to sit proper.
It was bad to say yes.
The innocence was corrupted;
and so came the Pain.
The Child learnt how to hate.
The Child wanted to scape.
There were no doors until the Child grew up.
Solitude was always there.
Freedom came afterwords.
The Pain didn´t go away,
but the Threes were still there:
waiting for a Human Being
who is able to say YES and No
to this dark Human World.
.............................
Berlin, 2008.
OPPOSING DUALITIES Live Performance from Verónica Mota on Vimeo.
Video/Sound Installation and Live Performance. Piece made during a month Art Residency at CESTA in Czech, 2009. Here you can watch the audience´s experience into an interactive discovery journey created by Gaby Bila-Günther & Verónica Mota.
DUALITA Silient Visual Work from Verónica Mota on Vimeo.
This piece was made during an Art Residency in CESTA Czech where all Artists work on UNDERCOVERED as theme. DUALITA was part of Video/Sound Installaton created by Gaby Bila Günther & Verónica Mota.
Installation with Sound Collage from Verónica Mota on Vimeo.
This installation was made during a month Art Residency at CESTA Czech in 2009. The Sound Collage was located in a bucket which was moved around the audience during live act performance.
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