Track release April 2011.


























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Painting by Catherine Woskow "Sepia Profile", 1998.

Avantgarde Music Compilation

01.04 - CHARITY FOR JAPAN @ RUFREAKTOR GALERIE


Participants
Thomas Zunk – Theremin, handdrums, voice, Conductor, MC and Navigator
Iku Sakan – steelpan, voice
Kostja Usenko – violoncello
Tatsumi Ryusui – e-g
Will Gresson – electro-acoustics
Luke Munn – electro-acoustics
Jon Evans – electro-acoustics
Verónica Mota – electronics
John Murphy – percussion
Günter Schickert – Echo-Guitar, conches
Akira Ando – double bass
Elke Postler – Butoh dance, performance, voice
Sonja Heller – Butoh dance
Tiziana Longo – Butoh dance
Motoya Kondo – Butoh dance
Annalisa Maggiani – Butoh dance


Latest tracks by ThomasZunk-4-1




Music inspired by Dante's Inferno from the "Divine Comedy". Imagery: excerpt from "L'Inferno" by Guiseppe de Liguoro. This film was first screened in Naples in the Teatro Mercan on March 10, 1911, exactly 100 years ago.

The Sublime is a duet comprised of Verónica Mota & Jon Evans (Berlin) utilizing microphony, electronic, synthesised and treated sounds.

 http://the-sublime-berlin.blogspot.com/

Cubop Berin,Dirty Dozen,Ruins Productions,Ambitrix

Sounddesign for Dirty Dozen crossborder Body Lab and Live Happening.

Thirteen bodies will inhabit Schwelle 7 in Berlin for a three-week intervention to explore the simultaneous production and subjugation of bodies and the processes that shape bodies as sites of sociopolitical (dis)identification. More specifically, this intervention will explore how the body is shaped, along the axes of multiple identity categories, as an effect of dynamic power relations that function to produce the question of the body and the body as questionable.